Now Available from Duke University Press
Disenchanting Les Bons Temps: Identity and Authenticity in
Cajun Music and Dance
Charles J. Stivale
The expression laissez les bons temps rouler-"let
the good times roll"-conveys the sense of exuberance and
good times associated with southern Louisiana's vibrant cultural
milieu. Yet, for Cajuns, descendants of French settlers exiled
from New Brunswick and Nova Scotia in the mid-eighteenth century,
this sense of celebration has always been mixed with sorrow. By
focusing on Cajun music and dance and the ways they convey the
dual experiences of joy and pain, Disenchanting Les Bons Temps
illuminates the complexities of Cajun culture. Charles J. Stivale
shows how vexed issues of cultural identity and authenticity are
negotiated through the rich expressions of emotion, sensation,
sound, and movement in Cajun music and dance.
Stivale combines his personal knowledge and
love of Cajun music and dance with the theoretical insights of
Gilles Deleuze and Félix Guattari to consider representations
of things Cajun. He examines the themes expressed within the lyrics
of the Cajun musical repertoire and reflects on the ways Cajun
cultural practices are portrayed in different genres including
feature films, documentaries, and instructional dance videos.
He analyzes the dynamic exchanges between musicians, dancers,
and spectators at such venues as bars and music festivals. He
also considers a number of thorny socio-political issues underlying
Cajun culture, including racialtensions and linguistic isolation.
At the same time, he describes various efforts by contemporary
musicians and their fans to transcend the limitations of cultural
stereotypes and social exclusion.
CHARLES J. STIVALE is Professor of French
at Wayne State University. He is the author of several books including
The Two-Fold Thought of Deleuze and Guattari: Intersections
and Animations.
"Disenchanting Les Bons Temps is an outstanding
and original contribution to both the literatures on popular/folk
music and to contemporary debates about the practice of cultural
studies."-Lawrence Grossberg, author of Bringing It All
Back Home: Essays on Cultural Studies
. . . . . .
"Charles J. Stivale has a unique ability
to bring together his deep and fluent understanding of Deleuzean
theory with his passion and enthusiasm for Cajun music. It's not
an obvious combination of elements, but Stivale pulls it off with
grace and skill. I attribute that to the clear way that his love
for the diverse ingredients of this scholarly gumbo shine through
his prose."-Gilbert B. Rodman, author of Elvis after Elvis:
The Posthumous Career of a Living Legend
2003. 232 pp.
ISBN 0-8223-3020-2, paper $19.95
ISBN 0-8223-3033-4, library cloth $59.95
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